Joyce Wieland Movies

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this...

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

Various unrelated vignettes, often juxtaposing sound and image.

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

"The film [Birds at Sunrise] was originally photographed in 1972. Birds from my window were filmed during the winter, through to the spring, with the...

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights...

A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

Constructed from found and stock footage, Barbara’s Blindness is a meditation on vision and adversity, drawing humour and pathos from a...

You see nothing but a white, crystal white plate, and water dripping into the plate, and you hear the sound of the water dripping. The film is ten...

A cat eats its methodical way through a polymorphous fish.

Home movies shot on Super 8mm by W+B Hein over 10 years.

About a strike in which women are involved, but told in a very different way.

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in...

A serendipitous encounter with a younger artist gives legendary Canadian art icon Michael Snow the opportunity to reflect on his life and career.

An unreleased diary film shot during the Fairleigh-Dickinson Artist Seminar simultaneous to the production of Back and Forth by Michael Snow.

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

The film 1933 made between 1967 and 1968 offers a street scene shot in New York City in the late 1960s from a loft window on the second floor.